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«Ψ (psi)»
(2023/24) for string quartet - No.5 in the Cycle "Brains" - -
«Nage no Kata»
(2024) for 2 judokas and 5 musicians -
«Suikinkutsu»
(2023) for Vn, Va, Vc, Pf and Koto -
«Kannon Anatomy»
(2023) for Shakuhachi quintet -
«Itadakimas -un rituel avant de manger-»
(2022) for Fl, Va, Hp and Perc. -
«Intrusions»
(2021-2022) for Orchestra and electronics -
«Phylogénie »
(2022) for Violin and Viola -
«Boids again»
(2020) for String Quartet - No.3 in the cycle "Brains" -
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«Ghin-no-oto -Intermezzi VII-»
(2021) for Shakuhachi and Shamisen -
«in-side»
(2020) for string quartet - No.4 in the cycle "Brains" - -
«Satellites»
(2019-20) for Soprano saxophone, Percussion and Piano -
«Ordo ab Chao»
(2019) for solo percussion and orchestra -
«作曲家が語る音楽と日常 －パリと東京を行き来して－»
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«Reading winds -Intermezzi VI- for Vc solo»
for Vc solo (2019) -
«Pantopos»
(2018-19) for the project "to Common Good!", with Eni Brandner's film -
«Boids -an apostil to "Brains" (2017)-»
(2018) for string quartet
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«Têtes»
(2017) for a male vocal soloist and ensemble -
«Têtes»
(2017) for a male vocal soloist and ensemble -
«Brains»
(2016-17) for string quartet -
«Quark II -concerto for percussions-»
(2014-15) for 13 musicians -
«60 seconds for Toshio»
(2015) for Fl, Hp and Vn, on the occasion of Toshio Hosokawa's 60th birthday -
«Le monde des ronds et des carrés»
(2015) for 2 percussionists and 2 pianists -
«大分県立新佐伯豊南高等学校校歌»
(2014) -
«Oublier Fukushima»
(2014) for 5 male voices
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«Musubi II»
(2013) pour la finale du 53e Concours international de jeunes chefs d’orchestre de Besançon -
«outrenoir»
(2011-13) for 13 musicians -
«Nirai II »
(2012) pour orchestre d'étudiants -
«インテルメッツィV»
(2012) for Viola and Accordion -
«Nirai -Intermezzo for Beethoven's symphonies No. 2 and No. 6-»
(2012) for symphonic orchestra -
«三千世界 - Trois milles mondes-»
(2011) for chamber orchestra -
«Intermezzi IV»
(2011) for Cl and Pf -a prelude for Brahms' Sonata op120-1 -
«クォーク - インテルメッツィ III»
(2010) for Percussion solo
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«(Halai) - Musubi»
(2010) for choir acappella (18 singers) -
«Concertino for recorders»
(2010) for Recorders, Harpsichord and string ensemble -
«むすび»
(2010) for symphonic orchestra -
«ニグレド -ロベルト・シューマン讃−»
(2009-10) for symphonic orchestra -
«Halai»
(2009) for 2 Soprano and Mezzo soprano -
«パン屋大襲撃»
(2008) 原題《Die große Bäckereiattacke》 -
«瀧の白糸»
(2007) 溝口健二監督無声映画「瀧の白糸」(1933) のための音楽 -
«インスラ・オヤ»
(2007) for symphonic orchestra
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«L'heure bleue»
(2007) for chamber orchestra -
«瀧の白糸»
(2007) 溝口健二監督無声映画「瀧の白糸」(1933) のための音楽 -
«理性の迷宮»
(2007) マン・レイによる無声映画 「理性への回帰」(1923)のための音楽 -
«理性の迷宮»
(2007) マン・レイによる無声映画 「理性への回帰」(1923)のための音楽 -
«Silent circle»
(2006) for Fl, Koto and 6 players -
«Terres Rouges»
(2005-2006) for string quartet -
«Toccata»
(2005) for Recorder and Koto -
«Pré-écho»
(2005) - un prélude pour la 5ème suite de J.S. Bach pour violoncelle
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«Lagunes»
(2005) for wind quintet and Pf -
«エテリック・ブループリント»
(2005-2006) for 9 players and electronics -
«今、ここ»
(2004) for orchestra and electronics -
«クラウド・ナイン»
(2004) for orchestra devised in 8 groups -
«メビウス・リング»
(2003) pour piano solo -
«ネクスト・ステップ»
(2003) -
«Meer»
(2003-2004) -music for a film by T. Wiesinger et W. Lehman- for 10 players -
«4D»
(2003) for 9 players
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«ヴォワラージュ»
(2000) for Fl, Cl, Vn, Va, Vc and Pf -
«Pas à Pas»
(2000) for Accordion and Basoon -
«Chimera»
(2000) for 11 players -
«カメラ・ルシダ»
(1999) -
«Au Bleu Bois»
(1998) for oboe solo -
«インテルメッツィ I»
(1998) for Fl and Pf -
«明るい部屋»
(1998) for 15 players -
«En Arcades»
(1997) for Cl and electronics
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«Si bleu, si calme»
(1997) for 16 players -
«All that is including me»
(1996) for Bass Fl, Cl and Vn -
«Dérivation»
(1996) for Fl, Perc and Pf -
«Ceneri»
(1996) - on a text from Umberto Saba - for mezzo-soprano and ensemble -
«Passages en failles»
(1995) for Fl, Ob, Cl, Vn and Db -
«Rain, steam and speed»
(1994) for Vn, Vc and Cb
(2023/24) for string quartet - No.5 in the Cycle "Brains" -
First performance: January 18, 2025, Quatuor Diotima, Radialsystem V, Festival Ultraschall, Berlin
Duration: 6 minutes
How is the brain related to the mind?
Experiments have shown that the brain can be triggered to respond by electrical stimulation, but the mind does not at all. The mind is capable to remember without memory in the brain. In other words, the two are separate mechanisms, and the mind appears to be higher in rank than the brain.
According to a research, the highest level of brain mechanism is the organ that acts as an intermediary between the mind and other brain mechanisms (the executor of the mind), and the mind is the one that directs the programming of all mechanisms in the brain. The mind is said to function as a single unit, as if the mind = a program and the brain = a computer (with spontaneous activity).
By the way, the results of an experiment called the “double-slit experiment” revealed that different realities beyond theory and common sense occur depending on whether human consciousness intervenes or not. Theoretically, or when humans are observing, electrons passing through the double slit leave two particle-shaped tracks on the wall set up at the end of the double slit, but when they are not observing, they leave two or more wave-shaped tracks. In other words, the human consciousness (mind?) creates and determines the “reality” of this world… It reminds me of Hippocrates' statement that the brain is an organ that acts as a mediator between consciousness and the outside world. So, what is the mind after all? What does it mean to have / not have consciousness? The piece vaguely reflects these propositions…
Misato Mochizuki